For the last 10 years or so I’ve been reading all, or at least most of, the Arthur C Clarke Award shortlist books. In recent times, I’ve added the BFSA and Kitschies shortlists to my reading piles. Over the past couple of years, my interest in reading most of the lists has waned, as my tastes and priorities have evolved. I wittered on a bit about this in May.
Last week, The Underground Railroad by Colson Whitehead was announced as this year’s winner. So congrats to Whitehead! It’s also won a whole bunch of other stuff and some critical acclaim. Clearly, it is a work of some significance. Is it science fiction? Is it genre? Is it for me? I’m not sure. The write up of the award in the Guardian explains why it is classed as such: the real underground railway used by slaves was a collection of safe houses – Whitehead reimagines it as an actual underground railroad. I do like magic realism and more importantly, genre-defying speculative fiction.
I read Whitehead’s zombie novel Zone One and found it dull. Years later, I couldn’t tell you want happened in the book. Not a clue. I’ve been told his other books are works of genius, especially his debut: The Intuitionist.
The other shortlisted books in the Clarke Award were:
- A Closed and Common Orbit – Becky Chambers
- Ninefox Gambit – Yoon Ha Lee
- After Atlas – Emma Newman
- Occupy Me – Tricia Sullivan
- Central Station – Lavie Tidhar
I’ve read and thoroughly enjoyed the Chambers, and thought the Sullivan was so-so. Far from her best. Ninefox Gambit is on my pile and will be read within the next few weeks. Tidhar’s book is on my radar and I might get round to reading After Atlas at some point. But can you compare all these traditional science fiction novels (yes, I know Sullivan’s book has angels in, but still…) to Whitehead’s tale of slavery. Well, I’m not so sure, but having not read it, I can’t really say.
I wonder if its inclusion is political.
Still, I’ve added The Underground Railroad to my wish list and I’ll read it later in the year. When the hype has died down a bit.
I’ve very sad that All the Birds in the Sky from Charlie Jane Anders hasn’t had the recognition I think it deserves. I’m hoping the shortlists in 2018 will capture my imagination once again.