My annual witterings concerning SFF shortlists for best novel

a-closed-and-common-orbitLast night, the Clarke Award announced its shortlist for the 2017 prize. The Hugo Award shortlist was announced a few weeks ago to the least amount of irritating noise I can recall for years. The BSFA announced a shortlist and a winner a while ago. While the most progressive award in my opinion, the Kitschies, don’t appear to have a list out this year.

My motivation is low. In past years I’ve tried to read as many of the shortlisted novels as possible and pass an opinion on my favourite. This year, that isn’t going to happen.

Anyway, the shortlists are thusly:

Clarke Award

  • A Closed and Common Orbit – Becky Chambers
  • Ninefox Gambit – Yoon Ha Lee
  • After Atlas – Emma Newman
  • Occupy Me – Tricia Sullivan
  • Central Station – Lavie Tidhar
  • The Underground Railroad – Colson Whitehead

Hugo Award

  • All the Birds in the Sky Charlie Jane Anders
  • A Closed and Common Orbit Becky Chambers
  • Death’s End Cixin Liu
  • Ninefox Gambit Yoon Ha Lee
  • The Obelisk Gate K. Jemisin
  • Too Like the Lightning Ada Palmer

BSFA Award

  • Daughter of Eden Chris Beckett
  • A Closed and Common Orbit Becky Chambers
  • Europe in Winter Dave Hutchinson – WINNER
  • Occupy me Tricia Sullivan
  • Azanian Bridges Nick Wood

Ok, so from this list I wasn’t massively impressed by Sullivan’s Occupy Me. I’m quite a fan europe-in-winterof hers but I think this is her weakest book for a while, despite it being a quite an original concept. I really enjoyed A Closed and Common Orbit from Chambers. It was even better than her debut! And I really loved Anders’ All the Birds in the Sky! Europe in Winter from Dave Hutchinson – in fact the whole fractured Europe series – is excellent and it isn’t a surprise it won the BSFA gong. Haven’t read the rest. Probably won’t.

I quite fancy After Atlas from Emma Newman but it’s number 2 in a series and I haven’t read the first one yet. It is on my Goodreads tbr list, but whether or not I get around to it is another matter. I wasn’t massively impressed by Jemisin’s first in this series, despite about a million people seemingly loving it. Ninefox Gambit has a couple of nods to might be worth an investigation, but to be honest, I’m losing the will to give a shit. Tidhar’s book is on my tbr list and I’ve enjoyed his previous novels so I will read this. Eventually! I read Whitehead’s zombie effort a few years ago and hated it. I know and appreciate that The Underground Railroad has had some amazing notices, and I’m tempted, but I don’t think it’ll be my cup of tea. And science fiction? Doesn’t sound like it…

Anyway, I hope that Anders wins the Hugo and Chambers wins the Clarke!

all-the-birds-in-the-sky

ForgottenGeekMetaAwardForBooks Shortlist Announced!

With a week to go before the Clarke Award is announced it is time to reveal my inaugural major SFF meta shortlist. First, the nominations:

meKitschies Golden Tentacle:

  • The Shore by Sara Taylor
  • Blackass by A. Igoni Barrett
  • The Gracekeepers by Kirsty Logan
  • The Night Clock by Paul Meloy
  • Making Wolf by Tade Thompson

Kitschies Red Tentacle:

  • The Heart Goes Last, by Margaret Atwood
  • Europe at Midnight,by Dave Hutchinson
  • The Reflection,by Hugo Wilcken
  • The Fifth Season, by N. K. Jemisin
  • The Thing Itself, by Adam Roberts

BSFA:

  • Europe at Midnight,by Dave Hutchinson
  • Mother of Eden by Chris Beckett
  • The House of Shattered Wings by Aliette de Bodard
  • Luna: New Moon by Ian McDonald
  • Glorious Angels by Justina Robson

Clarke Award:

  • Children of Time by Adrian Tchaikovsky
  • Way Down Dark by JP Smythe
  • The Long Way to a Small Angry Planet by Becky Chambers
  • Arcadia by Iain Pears
  • The Book of Phoenix by Nnedi Okorafor
  • Europe at Midnight by Dave Hutchinson

Hugos:

  • Ancillary Mercy by Ann Leckie
  • The Cinder Spires: The Aeronaut’s Windlass by Jim Butcher
  • The Fifth Season by NK Jemisin
  • Seveneves: A Novel by Neal Stephenson
  • Uprooted by Naomi Novik

So I’ve NOT read: Seveneves: A Novel by Neal Stephenson; Ancillary Mercy by Ann Leckie; The Cinder Spires by Jim Butcher; Mother of Eden by Chris Beckett; The Reflection by Hugo Wilcken (which I still hope to read at some point); and Blackass by A. Igoni Barrett.

So, and fanfare, drumroll and other such musical precursors, here is my top 7:

  • Arcadia by Iain Pears
  • The Heart Goes Last, by Margaret Atwood
  • Europe at Midnight,by Dave Hutchinson
  • The Long Way to a Small Angry Planet by Becky Chambers
  • The Fifth Season, by N. K. Jemisin
  • The Thing Itself, by Adam Roberts
  • Making Wolf by Tade Thompson

What will be my book of the year? Find out next week!

Now, can someone make me an award?

Sci Fi Shortlist Update – Hugos and Clarke Awards

Long Way to a Small Angry PlanetLast night the Hugo Award short lists were announced, much to my amusement. I don’t quite get how people can get so worked up about what is essentially a good and kind message (what the bad guys call SJWs) in fiction that they sabotage an award. Nuts. Anyway, many more eloquent comments are available than could come from my brain, so check out HUGOPOCALYPSE II: Where Do We Go From Here? From Nerds of a Feather for example.

So the shortlist for best novel is:

  • Ancillary Mercy by Ann Leckie (Orbit) – not interested after finding problems with the first one
  • The Cinder Spires: The Aeronaut’s Windlass by Jim Butcher (Roc) – not read, but come on!
  • The Fifth Season by NK Jemisin (Orbit) – interesting and valid nomination, on my to-read list
  • Seveneves: A Novel by Neal Stephenson (William Morrow) – ditto
  • Uprooted by Naomi Novik (Del Rey) – not as good as most people claim. Weird!

For more on the Hugos: http://www.theguardian.com/books/2016/apr/26/hugo-awards-shortlist-rightwing-campaign-sad-rabid-puppies?utm_source=twitterfeed&utm_medium=twitter

And so tonight, the Clarke Award shortlist was announced:

  • Children of Time by Adrian Tchaikovsky
  • Way Down Dark by JP Smythe – already read this one
  • The Long Way to a Small Angry Planet by Becky Chambers – already read this one
  • Arcadia by Iain Pears
  • The Book of Phoenix by Nnedi Okorafor
  • Europe at Midnight by Dave Hutchinson

This seems like a pretty good list, although I’m gobsmacked that Adam Roberts’ novel isn’t on it!

And as a reminder, the other awards I pay attention to which have been announced:

BSFA:

  • Dave Hutchinson: Europe at Midnight
  • Chris Beckett: Mother of Eden
  • Aliette de Bodard: The House of Shattered Wings – read this one, which won
  • Ian McDonald: Luna: New Moon
  • Justina Robson: Glorious Angels

Kitschies Red Tentacle:

  • The Heart Goes Last, by Margaret Atwood – read, which won
  • Europe at Midnight, by Dave Hutchinson
  • The Reflection, by Hugo Wilcken
  • The Fifth Season, by N. K. Jemisin
  • The Thing Itself, by Adam Roberts – read

Kitschies Golden Tentacle:

  • The Shore, by Sara Taylor – read
  • Blackass, by A. Igoni Barrett
  • The Gracekeepers, by Kirsty Logan – read
  • The Night Clock, by Paul Meloy – read
  • Making Wolf, by Tade Thompson – read, which won

So, I still plan to read most of these that I haven’t read, and produce my own list and award!

So come the announcement of the Clarke Award winner later this year, I’ll be announcing the inaugural ForgottenGeekMetaAwardForBooks.

Watch this space.

What’s the point of Sci-Fi Book awards? Or, some great books I’ve read thanks to the Clarke Award.

Station Eleven proof.inddThe Hugo Award fiasco really upset me. Of course, the whole right wing bully-boy tactics is offensively stupid, but I’m not part of that world (thankfully) so I had little vested interest. Most people who were involved wrote about it far better than I even could. Seek out their words. What upset me more was everyone seemed to be arguing about what books were on the short-lists and which ones weren’t. No-one seemed to be taking about reading. The quality of the fiction. The passion of the stories (please feel free to correct me if I’m wrong, but I didn’t read anything about great genre fiction in relation to the Hugo nominations. Even though I’ve read Jim Butcher in the past (great first few novels then…bored now) I’ve no desire to read any of the shortlisted novels this year.

Does anyone care about reading anymore?

I like the Kitchies. They seem to me to highlight innovation. They are progressive and diverse. From this year’s shortlist, I’ve read and enjoyed Lagoon, by Nnedi Okorafor although I didn’t think it was amazing. No emotional resonance for me. Grasshopper Jungle, by Andrew Smith, The Peripheral, by William Gibson and The Race, by Nina Allan are all on my to read list for this year. As for the debut category, I’ve read Memory of Water, by Emmi Itäranta (see below), while Yanagihara’s The People in the Trees, Chambers’ The Long Way to a Small, Angry Planet and The Girl in the Road from Byrne are on my pile. While intriguing, Viper Wine (Hermione Eyre) doesn’t really appeal to me. Good lists and plenty of good stuff on there, but to my sensibilities (and like an indie music or film festival) there does seem to be an agenda of sorts. There is absolutely nothing wrong with that notion, just to be clear, and if so, it is a good agenda (inclusive, diverse, innovative as I mentioned).

To me however, the Clarke Award appears to be just about the books. This year’s short list is:

  • The Girl With All The Gifts – M.R. CareyThe First Fifteen Lives of Harry August
  • Europe In Autumn – Dave Hutchinson
  • Memory Of Water – Emmi Itäranta
  • The First Fifteen Lives Of Harry August – Claire North
  • Station Eleven – Emily St John Mandel
  • The Book Of Strange New Things – Michel Faber

I’ve not read the first two and probably won’t. Carey’s is possible but it just isn’t grabbing my attention. I’ve read that Europe In Autumn is more of a sci-fi spy-fi techno-thriller type which isn’t really my bag. So, thoughts on the rest:

 

The First Fifteen Lives Of Harry August – Claire North

To me, this reflects the genre-defying fiction that I love. It is really a time travel story without traditional science fiction time travel elements and reminded me a little of Lauren Beukes The Shining Girls. However, it is character study. A lesson in choices. We all regret this choice or that one and in North’s story, Harry August gets to make different choices and also pre-empt the actions of choices to come. North’s prose is so very readable and the world she creates is so detailed and believable. One of those books that you never want to end because you enjoy being in it so much.

Station Eleven – Emily St John Mandel

The same can be said of Station Eleven. It is a traditional science fiction trope – the end of the world caused by something as ordinary as flu, but told in a complex and gripping narrative style from varying points of view – including that of someone who wasn’t even around when the end comes. The idea of focusing on actors and musicians is unique – certainly in what I’ve read previously. Friendships, survival and religion are key themes. Again, the world Mandel’s creates with brilliant prose and intriguing characters is one (despite its horrors) where I just wanted to stay in. The way she combines the various threads of the narrative so they make sense without being over-blown is admirable. The ingredients are familiar, the recipe common, but the final meal is deliciously new.

Memory Of Water – Emmi Itäranta

Itäranta’s debut appealed to me, although I hadn’t heard much about it. In a weird way, this could be set in the same world as Station Eleven although much further into the future, when the post-apocalyptic recovery is further along. Although in this case the cause was apparently environmental. Itäranta writes beautifully, especially considering it isn’t in her first language. Some of the sentences are pure poetry. “But water doesn’t care for human sorrows. It flows without slowing or quickening its pace in the darkness of the earth, where only stones will hear.” Sadly, the story is somewhat lacking. The characters (who have complex and secretive relationships) and world building (I like the plastic graveyard motif) are fine but there was lots of set up which promised so much but never really delivered. I was more interested in the words than the story.

The Book Of Strange New Things – Michel Faber

I’m about 2/3s through this excellent book. Almost directly opposed to the Memory of Water it is written in a straight forward manor but the story is so very engaging. I can’t wait to find out what happens. Essentially about the power of religion (so far) and trying to understand a new intelligent species on an alien planet, the corporation who has sent the pastor is represented by engineers and pharmacists who would be home on the Nostromo in Alien. It is intensely interesting and readable. I hope the ending is the one the reader deserves after 300+ pages.

Congratulations to the 2014 winner: Station Eleven – Emily St John Mandel – which I think is awesome! A triumph of story-telling.

 

What I love about all four of these is that I’ve really enjoyed reading them. Not thinking about them for what they are or what they represent in the wider sense (short-listed literature). I’d read North’s book before the list was announced and Faber’s was on my pile to read. I probably would have stumbled across Station Eleven but I probably wouldn’t have known about Memory of Water. I was lost in all of these books. Proper joy of reading stuff. I read Mandel’s 330 pages in 4 days because I didn’t want to stop reading it. I wanted to know what happened in the conclusion but I wanted to keep reading forever. This is the power of great fiction and it is something that I believe gets lost in award season with all the perceived in-fighting and back-stabbing. Of course, the contradiction is that I wouldn’t have read the latter three on the above list quite so soon (if at all) had they not been short-listed.

So I have a love/hate relationship with science fiction and speculative fiction awards. They often point me in the direction of terrific stories and characters and introduce writers I might not have come across. But to me, they are missing the point of what good books are for and not celebrating the story as a thing itself enough.