I’ve spent most of 2014 in the company of Roland Deschain of Gilead, his quest and his loves and his enemies. Eddie Dean. Susannah Dean. Jake Chambers. Oy. Cuthbert, Alain, Jamie, Susan. Sheemie. Poor Sheemie. Pere, Ted, Dinkie, Patrick. Flagg, Rhea, Mia, Mordred. Blaine. Dandelo. The Crimson King. And Stephen King.
Seven books. Thousands of pages. Almost 4,000 (edition dependent of course). But I spent the time with George Guidall and Frank Muller. Hours and hours and hours. I started in January 2014 with 1982’s The Gunslinger. I listened most days on my way to and from work (about 30 minutes each way). In the summer I listened at my allotment and in the park. I didn’t listen every day and I went about a week in between each book. I finished 2004’s The Dark Tower in late October. I’d only ever read the first two in the series previously, so had no idea how the story progressed.
- The Gunslinger (1982)
- The Drawing of the Three (1987)
- The Waste Lands (1991)
- Wizard and Glass (1997)
- Wolves of the Calla (2003)
- Song of Susannah (2004)
- The Dark Tower (2004)
This is not a review and this does contain spoilers.
I’d never really listened to audio books properly before. I’d listened to cast dramatisations and radio adaptations (Hitchhikers…, Neverwhere, Midwich Cuckoos and others). I didn’t know if it was a worthwhile pursuit. When Jake, Eddie and even Oy died, I felt like weeping. When Susan was murdered, I was horrified. When Benny died, I knew it was a proper story. There was good and evil, success and failure. Anyone (with the probable exception of Roland) could die.
When you’re listening to audio books whilst driving and walking to and from work, you cannot take in every word. There are times when you’re necessarily distracted. I don’t think that matters. You don’t need to hear everything to understand the story in an audio-book. I appreciate that I spent many hours getting to know the characters in the series but if listening to the books was all surface, why did I get emotional when Oy sacrificed first his love of Susannah and then his life for Roland’s? Why when I got to the end did I feel empty? Oddly, I don’t want to listen to (or read) The Wind Through the Keyhole (2012) just yet. I want to leave Jake and Eddie and Oy dead (although not in the world Susannah found herself in) and I don’t want to revisit Roland knowing as I do now that Ka’s wheel has turned again.
The Dark Tower series is without doubt a wonderful story with plenty to say about love and death and friendship. About what is good and what is destiny and what is choice. I also enjoyed the whole meta-ness of it. One of the most explicit examples I’ve come across recently (see my post on Hodderscape for more on metafiction) I don’t think I would have every given it the time if I had to read it. The process of listening, even when doing other things (driving, sitting in a park, being distracted by binmen, crossing roads), is beyond rewarding. It isn’t subliminal, but you get the bits you need to get. Story isn’t about individual words and clever complex sentences. Story shouldn’t need a thesaurus or attention to every single mark on a page. With no disrespect to the author who crafted and laboured over each word, a story is not about reading sentences on a page. A story is about the ride with characters who grow and change and learn and get to where they need to go to. If I didn’t care about Roland and his ka-tet I wouldn’t have enjoyed The Dark Tower and more importantly, I wouldn’t have enjoyed the audiobooks.
However, that all being said, if not for George Guidall and Frank Muller, who narrated the stories with passion and depth, again I might not have cared. An audiobook is about a story, characters and the choice of narrator. Not about the sentences or the words or the grammar. I don’t remember every detail about the story from Roland appearing in the desert in pursuit of Marten to his ascent of the tower, but I know how I felt when he loved and lost. And if that’s not the point of a story, someone tell me what is.